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An architect is a well trained expert who has experience in planning, designing and the construction of buildings and the management of construction jobs.

Also, one is not considered an architect until he or she has properly passed all the necessary education and accredited programs to procure a license in order to practice architecture. When practicing architecture, the architect can have freedom to design the building or group of buildings, as well as the space around it that still counts as part of the property. These ideas form the planning stage of the project and can take months to finalise.

The reason why architects are so important to the success of any building plan is simple: they can put your ideas into a feasible and concrete reality. If you have great ambitions for your home or place of business, then an architect can ensure that those visions will come true.

But aside from the actual design of the building, there are so many other complex factors (beyond the scope of inexperienced people) that need to be examined, and these are also covered in the responsibilities of the architect.

For example, there are some architectural firms that not only design the building for you, but they also prepare the tender documents for the pricing of the entire project, and are the ones that most commonly talk to the contractors, stakeholders and any third parties involved in the assignment.

When you hire an architect, you will not have to be bogged down by all the small technical details. All you have to be concerned about is if whether or not the building is coming along according to your plans originally devised with the help of the architect.

The architect is also very helpful before construction begins. If you do not have an actual plan but do have an idea on what you want your structure to look like, then that is where the professional can help you on the project.

All you have to do is to present them with some ideas and they can be the ones to take care of site analysis, the assistance you may need in zoning and planning, any environmental impact studies you may need, tendering and contract negotiation with the contractor and his men, and so much more.

The architect that you hire will be involved in all of the aspects of your project. Essentially, you are hiring an architect because you require a trained professional to take carriage of planning and designing the building or dwelling as well as provide the necessary feedback and support throughout the entire project.

Engaging an architect is like taking on a business partner for your project, one who is knowledgeable, knows the risk areas around the project and knows how to minimize those risks, has the necessary people skills to work with contractors in order to hire additional resources within budget.

A good architect will treat the project as though it is his or her own and will devise creative ideas and plans to the manager, and discuss in great detail the advantages, disadvantages, any problems of a particular strategy.

These are just some of the many important benefits and key reasons why you should use an architect. There are so many more reasons that really prove that any project worth going through with has to be under the supervision of a highly qualified architect. In the end, it all boils down to the fact that you have a dream construction project, and your architect is the person to make all these dreams become reality.

Looking for Brisbane architects? For renovation architects Brisbane, contact Dion Seminara Architecture. They are leading home improvement architects. Brisbane office is located in Morningside.

Event Tents, such as wedding tents are used when you want to make a fantastic outdoor scene. They are generally structures installed at a location for a period of time.

Why A Tent?
Commercial Tents are used as protection from the sun, rain or a gathering place. They can make a stunning and creative atmosphere for any event.

Tent Rentals
Tents can be rented or leased for a day, a weekend, weeks, months, etc. For one or two day events, the Tents are usually installed a few days before the event, depending on scheduling and weather, and remain until a few days after the event. Many rentals are quoted for the entire week, allowing for time to set up and design the interior and exterior. Some Tents are built for exceedingly long-term events and have been installed and remain installed for years.

What Kind of Tent Should I Rent?
Tent rental companies come in all sizes – from small-sized companies with just a few Tents to exceedingly large-sized companies – carrying dozens of several sizes and styles of Tents. Some general rental companies rent from tent rental companies to accommodate their client’s needs.

You may know you want to use a standard Tent for your event, or your event planner may already have in mind to use a Tent. You have options! There are lots of other spectacular
structures and Tent styles out there. Some are unique and make a statement of their own. Ask the rental company you’re working with for a list of the type styles they have on hand.

Usually, the varying types of Tents available in most companies are (the names vary depending of the company):

Folding Tents Easy and fast to use and always in demand. Very popular, because usually is the less expensive tent. Fast, flexible, cost effective and long lasting.

They are used by:

• Corporate brands across most industries
• Government & Council buyers
• SME business marketers
• Franchisees
• Agricultural exhibitors
• Emergency services & community groups
• Folding Tents create brand exposure opportunities.
• You can reach your audience at the right time, in the right place with the right message.

Inflatable Tents An exciting and fun alternative Tent. Easy & fast to set up. Be sure they have removable printed roof because in that way you can share the investment with other licences.

What Size Tent Will I Need?

The size of Tent depends on a few factors:

1. The number of guests you expect
2. Layout or seating arrangements or the style of event:

* Reception with what type of tables?
* Speaker engagement with what type of seating?
* Will you need a dance floor?
* Will you need display areas for your products?

If you are interested in a Tent, you can expect to need about 2,000 – 2,500 square feet for 200-seated guests. That could mean a 40 x 60 size Tent (Always ask the Tent rental vendor directly and they’ll give you the best informationabout the size of Tent you’ll need).

Therefore, the key rule is; know what you are going to use your tent for. The choice of tents is incredible, almost on par with the choice of cars that you can buy.

So if you need a tent for the family BBQ, for example, your needs are fairly basic
and your budget may be tight. Look for cheap tents that offers a waterproof Polyester roof and a decent warranty for under $600.

If you need a tent for a school or sports club you will need a range of sizes, and colours. Most plain colour Tents s range between $995- $2900. If you are keen to advertise yourself, you can have your names printed for around $150-$300. Printing logos usually be a little more expensive.

In the last 5 years, portable Tents have become important to businesses for their marketing. The essential need for these buyers is a prominent and identical reproduction of their logo. Sign written or printed Tents can be as dull as a website address or they can be a design masterpiece.

Remember, if it is for commercial purposes, the aim is to build awareness of your company with your printed Tent. Printed corporate Tents range in price from $1500- $4000. Good ones will really catch your eye.

Once you have decided on what sort of buyer you are and how you are going to use your Tents, a good Tents company will offer you a choice of frames, a warranty of between 3-5 years and help with formulating the printing-if you need it.

For more information about tents, contact Extreme Marquees. We have a range of cheap tents, for all sorts of home and business applications.

New Zealand has a stunning array of breathtaking landscapes. Like imposing mountain ranges, majestic coastlines, lush rainforests, deep fiords, snow capped mountains and steaming volcanoes. These scenic wonders have all made New Zealand an appealing destination for all kinds of holidays.

Fantastic travel packages and holiday specials are available on quality accommodation in modern city hotels and luxurious wilderness lodges at slashed prices. Among the top holiday destinations in New Zealand, Queenstown, Christchurch and Auckland would definitely be there. Travel Online is a prominent online specialist travel operator and provides fantastic tourist services for New Zealand. Travel Online provides an instant quote and booking service for accommodation in cities right across the country.

Queenstown
The international resort town of Queenstown is situated on the shoreline of Wakatipu Lake. This beautiful region is among the most scenic locations on the globe. Throughout the year adventurous and exciting sports like jet boating, bungy jumping, and white water rafting take place. This town is the epicentre of the entire world’s bungy jumping activities too. With the advent of winter, the town gets transformed to an alpine wonderland with snowboarders and skiers from all corners of the world assembling at the annual Winter Festival.

There is constant request for Queenstown Accommodation all round the year and Travel Online offers a select group of hotels best suited for New Zealand holidays. 1, 2, 3 or 4 bedroom apartments, with modern facilities, gyms, spas and fantastic views are available at various holiday retreats across the city. Larger apartments with more bedrooms, tennis courts, private jetties and fitness centres are also available at a higher price. Luxury complexes with studio rooms in the vicinity of cafes, bars, and restaurants are also found in Travel Online’ Queenstown Accommodation selection.

Christchurch
When choosing a place to stay in Christchurch look for hotels that give views over the wonderful Victoria Square, across the mesmerizing Avon River or towards the epochal Anglican Cathedral. Situated on New Zealand’s South Island, this cosmopolitan city is always abuzz with colourful festivals, shopping spots, theaters and art galleries. Hotels overlooking Victoria Square provide visitors with an insight in to the city’s English history.

Individuals staying in the vicinity of the Christchurch Cathedral will find hotel rooms with a Manhattan-style feel. Tradition and elegance are everywhere in these hotels along with a keen eye on service excellence. Huge bedrooms with full-fledged kitchen facilities are common, along with hi-tech conference facilities, resort-like leisure features like spas, saunas, gyms, and swimming pools. Many of these hotels provided by Travel Online are located in the vicinity of the Technology Park, the International Antarctic Centre, and the airport. Travelers who want to stay away from the hustle and bustle of the cosmopolitan life will find suitable accommodation in the majesticcountryside surrounding the city.

Auckland
Auckland, also known as the City of Sails, is situated in between 2 harbors and has more boats per person than anywhere on the planet. Within minutes a person has the chance of sailing away on yachts to isolated nearby islands, living the sweet life in the casino, surfing at lots of beaches or tasting the exotic wines at local vineyards. Hotels come in stylish and comfortable studios, and spacious executive / marina suites. Travel Online caters to the tastes of corporate and business tourists and can beat any price seen on Auckland accommodation advertised. Auckland harbor is wonderful, and is seen perfectly from atop Sky City and the surrounding accommodation.

Affordable and comfortable apartments are available for casual tourists, equipped with kitchens, laundries, and balconies to provide a memorable holidaying experience. Visitors to Auckland adore visiting the Antarctic Encounter, which showcases the only penguins present in the sub-Antarctic region. More adventures include cage-bereft shark dives, scuba expeditions and snorkel safaris. New Zealand is waiting.

Travel Online has a wide range of Queenstown accommodation close to all the snow action and cosmopolitan Christchurch accommodation surrounded by all that theatre and art. For holidays in and around the water, Auckland accommodation is as good as anywhere in the world.

Don’t have an inexperienced 24 hour carpet cleaner show up to repair your carpets damaged by water. These are the things you should be watchful of:

Overcharging. An unprofessional water restoration restorer may build the job up with extra inclusions. E.g. using dehumidification for the water damaged carpets may not be needed.

Not having the correct equipment. They may borrow equipment from hire businesses for drying the carpet. This is acceptable, but an established water damage restorer will possess all their equipment to enable a speedy response and hopefully a better value job.

The right moisture metre. If they don’t have the choice moisture meter, they cannot see whether the carpet is dry enough. This furthers the potential of future mould growth. Mould removal may be required.

Specialised. There are a whole lot of “Carpet Cleaners” in this industry who do water damage repair jobs on the “side.” i.e. they aren’t the ones who complete this type of work everyday. Be wary of them. Drying carpets is an art. Taking carpet off the gripper strips then reinstalling them should be completed by a professional, otherwise it can be damaged beyond repair.

You could be asking, how do I locate a good Flood Restoration techinician? Below I have selected some pointers to check for when hunting around for a carpet flood damage business:

How big is their Yellow Pages ad slot: This can be a sign of how much work they are getting already. A full-size Yellow Pages advertisement can cost more than $50 000. So if they have paid for a bigger ad, you have some assurance that they are professionals.

Where do they rank in Google? The higher the rank in Google, the more click-ins there has been for this business.

What Qualifications do they have? The minimum qualification required is a IICRC qualification of Applied Structural Drying and Water Damage Restoration.

Do Insurance companies source them for their own water damage jobs? This is a better indicator. If insurance companies use them, the business is likely to be efficient at their skill. Insurance companies will use the providers that give them the top value for the fee.

What kind of Equipment do they have? They should own about 100 Air movers. If they own this many, this probably means they have been going for a good time. It took our business 8 years to accumulate that many wet carpet drying air movers.

What type of commitment can you get from them through a phone call? Try to pin them down to a fee for water extraction, water removal and initial inspection. If they don’t give you a price for at least this, you know they are not willing to serve you, so keep looking.

Response Time – Our Water Damage business based in Brisbane works to a 59 minute response time for water damage emergency. The business needs to be attended to ASAP. Mould can appear during a 24 hour period.

If you stick to these tips you are sure to choose a Flood Damage Restoration company who knows how to do the job right.

If you have carpet water damage Brisbane, call us for flooded wet carpet drying. Brisbane storm season is approaching and you may need storm damage carpet cleaning. Brisbane and surrounding areas serviced.

As a practicing podiatrist in Brisbane, Australia, I am regularly asked by clients if podiatry would be a good career for a school leaver to consider . There are many things to recommend a career in podiatry including:

• You can be self employed: This is a option that is increasingly being denied to other health care providers such as optometrists and even GPs . Big Business controls a lot of health practices. Consider how often you see an independent optometrist these days – can they compete on price with the multinational chains?
• Legal Issues: In Australia (unlike the USA where things are very different), podiatrists very, very rarely face litigation . The nature of podiatry practice does not lend itself to accidentally harming one’s patients. Also, you never have to give your clients the bad news that their condition will be terminal.
• Working Hours: Emergency call outs are very unlikely. This is a desirable fact for those among us who like their sleep uninterrupted.
• Financial Reward: Whilst it is true that podiatry doesn’t pay as well as being a dentist or doctor , the pay is generally commensurate with other allied health providers.
• Instant Gratification: One of the best facets of being a podiatrist is the instant gratification! People come in with pain and leave happy. You will see a plethora of bite-sized jobs each day, many with a cure you can provide immediately. From someone that has worked with unanimously grumpy customers in a past career, believe me when I tell you, it makes the day much more pleasant when people leave you smiling.
• Philanthropy: Podiatry will afford you an abundance of opportunity to help eliminate the suffering of your fellow human beings.
• Self – Determination: Podiatry affords a clinician the power to determine their own course of action for the benefit of their patients. This is unlike a career in nursing for instance where one works under the direction of a doctor.
• Clear Job roles: The only people who can work as a podiatrist are those with a podiatry qualification. The clear roles that this delineates relieves the requirement to find your ‘niche’ after university – as someone with a more generic Bachelor of Science degree might need to do.
• Do you like to travel? There are many places in the world that do not produce their own podiatrists including Tasmania, the Northern Territory, all of Asia and all of the Middle East. If you want to see the world, Australian podiatrists can gain employment in any Commonwealth country and are particularly in demand in Singapore, Egypt, United Arab Emirates and other far flung fields.
• Variety: In any given day, a podiatrist will see a large range of complaints. There might be an ingrown toenail or two, an excruciating corn, a sporting injury, some lower back pain and at least a couple of painful heels . The key to being a good podiatrist is to bea good problem solver. Each patient is an individual with a unique condition requiring a well considered solution.

How do you train as a podiatrist ?

To qualify as a podiatrist requires six Australian Universities:

• Curtin University
• La Trobe University
• Charles Sturt University
• Queensland University of Technology
• University of South Australia
• University of Western Sydney.

Last year, the entry score for the QUT was OP 8.

Stephanie Cosgrove graduated as a podiatrist from QUT in 1990 and with a Master’s degree in Applied Science (Podiatry) in 1996. Since 1991, she has worked in private practice as a Podiatrist Brisbane. She received three university prizes during her studies, including the award for excellence in design and manufacture of orthotics. Brisbane has been the site of her private practice since 1991 which has grown to four locations and eleven staff. If you want to Walk Without Pain consider a visit to Brisbane’s most innovative podiatry practice today. Call for an appointment now on 1300 A1 Feet.

Take control of getting your site actualized by a developer and comprehend the process it will save you money and gain you a site that actually works the intended purpose!

1. Understanding your business and how you are currently established in your market.
In order to formulate a site that truly meets your requirements; you first need to have a full comprehension of your business including your products, and/or services and more importantly their market position. You then have to consider how you want to explain your business and what it offers in 7 seconds or less. Sounds impossible? Well that is the average time that a user will consider the point “is this site I searched for?”.

2. Budget and estimation
Have a budget in mind and don’t be afraid to let the developers know what it is. In saying this: BE REALISTIC, $500 will never see a great web site created, nor will they be anything left in the bank to market it.

3. The creative process
Be furnished with example sites and more importantly the elements of the site you like so they can achieve an understanding of what you would like to see on your site and also what you find frustrating about other sites. This will build a good profile and analyze not only what type of site to build for you but your tolerance to colours, animations, layouts etc. for your requirements which will allow for effective development. The more interaction and information you accord them in the beginning the more time you will save everybody in the long run by getting what you want 1st time round. Check with the designers on how many rounds of changes come with the contract, most will allow for a total conceptual redesign only once and 2 rounds of changes after that.

4. Production and Content
After the home page design is created, the developers will more than likely take the general layout of this concept and then formulate the inner page template. It is this template that will be duplicated for most of your pages for your site.
Present your content in a pre-proofed word processed document; don’t get too creative with the document fonts etc. as these will not be preserved when the content is copied into the code of the site. It is preferred that you do use bolding, underlining, headings and sub heading though ,as these highlights are transferred into the site and are crucial later on in not only interacting with the reader but for Search Engine Optimisation.
One last tip for content; provide a decent amount of content but provide it in a way that a reader may get a summary of what you are trying to get across in the 1st couple of paragraphs and an image or to. The rest of the paragraphs that get into finer details ARE FOR GOOGLE !

5. Development Programming and CMS
If your website contains Content Managed Areas (CMS) or has any other dynamic sections the developers will wrap your design around a content management program such as Joomla or Drupal or they may have a custom built system. Make sure that you get to see how the CMS system operate on another site they have developed or an example site they may have. You need to know that you can use and comprehend the system when your site is complete.

6. Testing and training
We work closely with the developers to test your site especially if there are any CMS or special programs that have been created for you. You can guarantee if it is has just been written for you then it will not operate 100% first time round. This is a where things can get ugly in the process you must understand the way the program operates and test it as if you were normal website user. If it doesn’t make sense to you, odds are it won’t make sense to your audience. Make sure you test your website on more than just your browser, try to test it on Internet Explorer, Firefox and Safari. All of these browsers are on the internet for free!

7. Launch – going live
When the developers are ready to make your site live make sure you have finished the above testing step until you are content that this website is the best representation of your business / product it can be. Remember even though you can change things after going live it is still a poor reflection on your business if there are spelling mistakes or broken images when you launch.

8. Marketing
There is little point in having a website if nobody visits it, make sure as part of you contract you have considered search engine optimisation and or search engine marketing as part of your website build. This is the absolute most important factor of the whole process. If you are the only one looking at your site then you are in trouble.

Remember Search Engine Optimisation is about 30% Onsite (getting your site correct for Search Engine to index correctly) and 70% Promotion. Any developer who tells you otherwise hasn’t been in the industry too long.

For more information about web design Brisbane, contact Web Site Blue. Our web designers understand marketing as well as design.

A logo is a central step to creating a business. It is the face of your business. And like your face conveys the tone of your business, gestures the service and screams the professionalism or lack there of.

People spend a lot of money on the creation of their logo and walk away with no artwork files. Then a couple months down the track when they need to put signage on their new building they cannot track the design studio down that created the original logo for them and so incur costs to have it recreated. This is needless and may cause obstacles when trying to replecate the logo exactly as created originally.

We have created some basic tips you for to think about when creating a logo. Hopefully these will help you from experiencing any future difficulties.

Tip 1
First things first – you need to decide if you would like your logo to have an accompanying icon. It is suggested that if your service or product name is not in your business name then perhaps an icon will help in conveying a clear message across to your target audience.

An icon can add an extra element to your branding in that you could use the icon on its own on collateral where perhaps you are looking for a more illustrative finish without losing recognition.

A good example of this is the well-known and executed Fedex logo.

Tip 2
Colour can be an extremely important decision as it not only could influence the output costs but can also margin your output use. Consider the end result and what you will be assigning your branding onto in the future. Make sure your designer is aware of this as they should design accordingly.

Tip 3
Ensure you get a back up disk of your logo as a master file and assure that it includes all the files required for the different printing formats.

Creative software updates frequently and some programmes become obsolete. Make certain you have a copy of your logo as a PDF – with the text converted to curves.

Tip 4
Using images in your logo is not very easy to arrange. For example it is difficult to reverse into black and white. Images also have limitations when it comes to size – they can only be reproduced to a certain size before they start pixilation.

Tip 5
Using gradients in your logo is not recommended. This too can have limitations when it comes to output for ie: gradients are hard to reproduce when embroidering fabrics.

Tip 6
Make certain sure the font is legible. Some logos need to be reproduced on small pieces of collateral ie: post stamps. It is important that in this case the text is
legible.

Tip 7
Ensure that you receive a copy of your logo in CMYK high resolution 300 dpi (for printing use) and RGB 72 dpi(for web use).

Tip 8
It is important to have a style guide of your logo. It will clearly show you how to use your logo so it looks exactly the same every time it is reproduced. This allows you to keep your corporate image consistent.

Tip 9
Make sure that you get a letter from the design studio declaring that you own the copyright to your logo.

If you follow these tips then not only will you accept a well-designed logo but you will also own the artwork. And when it comes to reproducing your collateral you will be doing it the most cost effective way.

For logo design Brisbane and web design Brisbane, contact Bydaughters today for a free two hour consultation.

How many times have you mailed business cards to print and collected yet another version of your corporate colour? Ever been excited to see your advert in the latest newspaper and then recognized that the crucial tag line is gone or your logo has been wrecked.

There is only one way to prevent this from happening and that is to create a style guide. Not only will a style guide aid you steer the reproduction of your logo – it will also help you strengthen your brand recognition – which many argue is one of the strongest selling tools.

We have placed the below steps together for you as a starting point.

Step 1 : Mark the audience for your Style Guide. Is this for staff to utilize in-house or is this for suppliers and contractors to refer to?

Step 2 : Define what your output uses are. This is important because you will need different logos and file formats for example, black and white publication adverts in comparison to vehicle graphics.

Step 3 : Define the tone for the copy and content required. For example you may needcopy rules for printed content and then copy rules for website content.

Content rules cover all punctuation rules and how to attribute to the business and team.

Step 4 : Ensure you layout all the design templates so it is clear how and where the logo and branding sits on all the different pieces of collateral that may be reprinted.

Step 5 : Make sure to include any contributing logos or logos of business that are correlated with you. It’s also important that you issue a copy of the layout to these companies to ensure they agree with the layout of their logo as they too may have their own Style Guide and hierarchy layout rules.

Step 6 : Assure that grammar, spelling and contact details are correct.

Step 7 : Make certain that when suppliers are using the Style Guide they understand~know~discern~apprehend} that a proof needs to be dispatched~sent~mailed~commissioned}to you to be affirmed as correct.

Have your Style Guide finished and as secure as possible. Then have it saved in an email friendly file format and have a couple printed. Once this is done we strongly suggest a training session – whereby your design studio arrives and trains your staff on how to put to work the Style Guide and most importantly your brand.

For graphic design Brisbane, logo design Brisbane and web design Brisbane, contact Bydaughters today. We help your brand build business.

The common question that is asked when buying a new projector for the home, office, or classroom is: do I take an LCD projector or a DLP projector? LCD, an acronym for ‘liquid crystal device’ and DLP, short for ‘digital light processing’ are the two most popular projector imaging technologies. With so many business brands and different types available, it can be challenging for customers to make a decision between both technologies. Ultimately LCD projectors provide better image quality and colour accuracy. The article below tells you why DLP projectors struggle with creating a comparable standard of image quality.

It’s like a set of blinds in your room covering your bedroom window. By pulling on a rod you can turn the shutters open or closed, depending on whether you want to let light in or not. And such is exactly how an LCD projector operates. Each pixel functions like a single shutter on a set of blinds to either pass light through or to block it. DLP on the other hand is created of millions of microscopic mirrors or ‘pixel elements’ as the experts like to call them. Each pixel element works to either reflect light or block it.

How the light source is processed from when the projector switches on to when the picture reaches your screen is vitally important to image quality, brightness and colour accuracy. LCD projectors direct white light from the lamp by dividing it into red, blue and green components, by three mirrors which send the coloured light to 3 separate LCD panels. The 3 LCD panels make the elements of the image by turning each pixel on and off. The pixels are then meshed in a glass prism to create the projector image. A significant point to know about LCD projectors is that all three colours are directed onto your wall all at the same time. The way a DLP projector works is totally different and even the produced image looks is not the same. With DLP, white light from the lamp is projected through a spinning colour wheel with transparent red, blue and green segments, at speeds up to 11,000 rpm/s. This approach to forming an image requires a sequence of red, blue and green light. The millions of micro mirrors as described above reflect the coloured light on the pixels to form the image elements. The elements of the image are projected in sequence on the screen, one colour at a time. The viewer’s eyes will then draw each coloured element of the image into the single full image. In LCD projectors, all colours are available all the time to form high brightness and spectacular colour accuracy. In DLP, only one colour is available at any given time, resulting in lower colour brightness and accuracy. Some DLP designers have placed a white segment for the colour wheel to improve overall brightness, but this goes and degrades colour accuracy.

I find in forums all the time that DLP gives a higher contrast ratio and ergo must be superior quality. For those who don’t know, the contrast ratio is a measure of a display system defined as the ratio of the luminance of the brightest white to that of the darkest black that the technology is able to produce. DLP projectors do offer high contrast specifications in comparison to many LCD projectors. At a glance, this must be a plus, however, in real life, the true black level is determined by the ambient light in the room where the projector is used. Do not be hoodwinked by contrast specifications on websites and in brochures.

When the content you want to see needs moving images, DLP projection technology can also have image imperfections, or ‘artifacts’. The most often seen artifact that a DLP projector shows with moving images is colour break up. Colour break up is inherent in DLP systems because moving images keep changing between the time red, blue and green colours are shone. LCD projectors do not have this disadvantage because all colours are projected at once. DLP designers have created 3DLP solutions using 3 chips to solve the colour break up artifacts, but the price of these projectors make them impractical for the majority of businesses and consumers.

Another variance between LCD and DLP is how they match the balance for the refractive qualities of light. Think back to high school science, and they taught you how various colours of light refract various amounts when projected through the same lens. The problem with DLP projectors is that they have the one same panel and the same lens to project Red, Blue and Green. All 3 colours are obviously not the same and refract light at different levels. Generally with a DLP projector, an extra yellow colour will appear above and some extra blue will come through below an image as simple as a lone black line. In building LCD projectors can be set to remove these effects on the projected image, as each colour is projected on separate LCD panels.

The one veritable buy point (excluding price) with taking a DLP projector is its smaller total size and weight. However, this is only relevant in regard to mobility and cannot be traded off against the image plusses of LCD projectors. If overall picture quality is important to you, then the solution is simple. Go with an LCD projector! LCD projectors will always show bright, colourful images with fewer image mistakes. If you need to learn more about LCD technology in more detail, have a look at this spectacular resource website: Explore 3LCD. If you have any more questions, jump onto Projector Central and send me an email.

Jonathan King is the sales and marketing manager at Projector Central, Australia’s number one online provider for projectors. Brisbane based, Projector Central has serviced Australia for 15 years. For data projectors in Brisbane and Interactive Whiteboards, contact Projector Central today.

As the Dutch rose to preeminence in sea power during the 17th century, the first yacht had been a leisure craft used first by royalty and later by the burghers in the canals and then in the protected and unprotected waters of the Low Countries. Racing was incidental, coming out of private matches. English yachting started with King Charles II of England during his exile in the Low Countries. On his restoration to the English throne in 1660, the city of Amsterdam sent him a 20-metre (66-foot) pleasure boat with a beam (maximum width) of 5.6 m (18 feet), which he named Mary. Charles and his brother James, the duke of York (James II, sovereign 1685–88), ordered for more yachts and in 1662 raced two of them from the Thames, from Greenwich, to Gravesend, and returning, on a £100 wager. Yachting became fashionable for the affluent and royalty, but after that period the trend did not last.

The first yacht group in the British Isles, the Water Club, was instigated around about 1720 at Cork, Ire., as a cruising and unofficial coast guard organization, with great naval panoply and formality. The closest thing to racing was the “chase,” in which the “fleet” pursued an imagined enemy. The club endured, for the large part as a social club, until 1765, and in 1828, when joining with other groups, it was known as the Cork Yacht Club (later the Royal Cork Yacht Club).

Yacht racing was first seen in some ordered manner on the Thames in the mid-18th century. The duke of Cumberland instigated the Cumberland Fleet for Thames racing in 1775. When George IV came to monarchy in 1820, it was then known as the Fleet to His Majesty’s Coronation Sailing Society. The Thames Yacht Club seceded following a racing argument, to become the Royal Thames Yacht Club in 1830. The first English yacht group had been formed at Cowes on the Isle of Wight in 1815, and royal sponsorship made the Solent – the strait between the mainland and the Isle of Wight – the continued site of British racing. The association at Cowes became the Royal Yachting Club, likewise at the ascension of George IV. Each member was required to have boats of at least 20 tons (20,321 kg). Sailing matches for high bets were held, and the club life was splendid. It came to be that the Royal Yachting Club boats increased in size to more than 350 tons.

In North America, yachting started with the Dutch in New York in the 17th century and persisted when the English held dominance. Sailing was for the most part for leisure and reached its epitome in George Crowinshield’s Cleopatra’s Barge (1815), which sailed on the Mediterranean Sea and set a standard of luxury and sophistication for the later yachts in that area from the late 19th century. The first enduring American yacht association, the Detroit Boat Club, was formed in 1839. In 1844, John C. Stevens instigated the New York Yacht Club aboard his schooner Gimcrack.

Kinds of sailboats
The first sailing yachts followed the design of such naval craft as brigantines, schooners, and cutters from the 17th century until the second half of the 19th century. The craft of bigger yachts was initially greatly put upon by the success of America, which was designed by George Steers for a association led by John C. Stevens, and it was the boat for which the America’s Cup (q.v.) had its namesake after its win at Cowes in 1851. Earlier yachts were not designed and manufactured in the modern sense, with just a model used. Not until the latter half of the 19th century did what was called naval architecture come about. Not until the 1920s did the use of the science of aerodynamics do for the craft of sails and rigging what science had earlier done for hulls.

Because most of all sailboats were individually manufactured, there was a requirement for handicapping boats as this was before the one-design class boats were made. Thus, a rating rule was decreed, which ended up in the International Rule, accepted in 1906 and amended in 1919. In modern times, one of the most rapidly blossoming areas in sailing is that of one-design class boats. All boats in a one-design class are built to single requirements in length, beam, sail area, and other elements (for an example of a two-person sailboat, see illustration). Racing for such boats can be done on an even playing field with no handicapping at all. A prime example is the standard International America’s Cup Class taken on board for racers in the 1992 America’s Cup race.

So long as yachting was an activity mostly for the nobility and the rich, money was no problem, and the size of boats grew, in both length and weight. The promotion and preference of smaller boats happened in the second half of the 19th century in the sailing of the Englishmen R.T. McMullen, a stockbroker, and E.F. Knight, a barrister and journalist. A trip around the world (1895–98) captained single-handedly by the naturalized American captain Joshua Slocum in the 11.3-metre Spray made plain the hardiness of less sizeable boats. Following this in the 20th century, for the larger part after World War II, smaller racing and leisure craft became more common, down to the dinghy, a preferred training boat, of 3.7 m. In the late 20th century, yachts of less than 3 m were traveled in single-handedly across the Atlantic Ocean.

Kinds of power yachts
Post the decade 1840–50, in which steam started to take the place of sail power in market boats, the steam engine, and later the internal-combustion engine, were used increasingly in personal boats. Large power yachts were developed to a high degree, and long-distance cruising turned into a preferred activity of the wealthy. The early power yachts were paddle-wheel boats; these then gave way to yachts powered by the wholly submerged screw or propeller type of propulsion. As well as naval and merchant vessels, auxiliaries possessing both sail and power were the yacht fashion for a number of years. By the second half of the 20th century, several yachts were still auxiliaries, but the larger part were only power yachts that had gasoline or diesel engines.

During the last decade of the 19th century there was a boom in the construction of more sizeable steam yachts. In particular of these was the Mayflower (1897) of 2,690 tons, with triple-expansion engines, twin screws, and a compartmented iron hull, and was manned by a crew of over 150. The Mayflower, purchased by the United States Navy in 1898, was the official yacht of the president of the United States until 1929 and was used in active service in World War II.

As larger and more reliable internal-combustion engines were produced, many big boats began using them for power. The establishment of the diesel engine, with heavy oil for fuel, was furthered for World War I. During the decade after that, large power-yacht building flourished, hitting a climax in the Orion (1930) at 3,097 tons. From that period the biggest auxiliary yacht manufactured was the four-masted, steel, barque-rigged Sea Cloud (1931) of 2,323 tons.

The manufacture of large power boats lessened after 1932, and the style from then was for smaller, less costly yachts. After World War II, a lot of small naval craft were bought by private owners for conversion to yachts. In the late 20th century, yachting had become a widespread loved sport enjoyed by thousands of yachtsmen personally sailing and maintaining their own small recreational boats. The amount of craft and owners has increased steadily, not only in the traditional areas on the seacoasts but also on inland waterways and lakes.

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