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An architect is a well trained professional who has experience in planning, designing and the construction of buildings and the oversight of construction projects.

Also, one is not considered an architect until he or she has properly passed all the necessary education and accredited programs to procure a license in order to practice architecture. When practicing architecture, the architect can have freedom to design the building or group of buildings, as well as the space around it that still counts as part of the property. These ideas form the planning stage of the project and can take months to finalise.

The reason why architects are so important to the success of any building plan is simple: they can put your ideas into a feasible and plausible reality. If you have great ambitions for your home or business, then an architect can make sure that those visions will come true.

But aside from the actual design of the building, there are so many other complex factors (beyond the scope of inexperienced people) that need to be taken into account, and these are also covered in the responsibilities of the architect.

For example, there are some architectural firms that not only design the building for you, but they also prepare the bid documents for the costing of of the entire project, and are the ones that most commonly talk to the contractors, stakeholders and any third parties involved in the assignment.

When you hire an architect, you will not have to be bogged down by all the small technical details. All you have to be concerned about is if whether or not the building is coming along according to your plans originally established with the help of the architect.

The architect is also very helpful before the actual construction. If you do not have an actual plan but do have an idea on what you want your structure to look like, then that is where the professional can help you on the endeavor.

All you have to do is to present them with some ideas and they can be the ones to take care of site analysis, the assistance you may need in zoning and planning, any environmental impact studies you may need, bidding and contract negotiation with the contractor and his men, and so much more.

The architect that you hire will be involved in all of the aspects of your project. Essentially, you are hiring an architect because you require a trained expert to take carriage of planning and designing the building or dwelling as well as provide the necessary feedback and support throughout the entire assignment.

Hiring an architect is like taking on a business partner for your project, one who is knowledgeable, knows the risk areas around the project and knows how to minimize those risks, has the necessary people skills to work with contractors in order to hire additional resources within budget.

A good architect will treat the project as though it is his or her own and will devise creative ideas and plans to the manager, and discuss in great detail the advantages, disadvantages, any problems of a particular strategy.

These are just some of the many important benefits and key reasons why you should use an architect. There are so many more reasons that really prove that any project worth going through with has to be under the supervision of a highly qualified architect. In the end, it all boils down to the fact that you have a dream construction project, and your architect is the person to make all these dreams become reality.

Looking for Brisbane architects? For renovation architects Brisbane, contact Dion Seminara Architecture. They are leading home improvement architects. Brisbane office is located in Morningside.

Event Tents, such as wedding tents are for when you want to make a fabulous outdoor scene. They are generally structures installed at a location for a period of time.

Why A Tent?
Commercial Tents are used as protection from the sun, rain or a gathering place. They can make a stunning and creative atmosphere for any event.

Tent Rentals
Tents can be rented or leased for a day, a weekend, weeks, months, etc. For one or two day events, the Tents are usually installed a few days before the event, depending on scheduling and weather, and remain until a few days after the event. Many rentals are quoted for the entire week, allowing for time to set up and design the interior and exterior. Some Tents are built for exceedingly long-term events and have been installed and remain installed for years.

What Kind of Tent Should I Rent?
Tent rental companies come in all sizes – from small-sized companies with just a few Tents to exceedingly large-sized companies – carrying dozens of several sizes and styles of Tents. Some general rental companies rent from tent rental companies to accommodate their client’s needs.

You may know you want to use a standard Tent for your event, or your event planner may already have in mind to use a Tent. You have options! There are lots of other fantastic
structures and Tent styles out there. Some are unique and make a statement of their own. Ask the rental company you’re working with for a list of the type styles they have on hand.

Usually, the varying types of Tents available in most companies are (the names vary depending of the company):

Folding Tents Easy and fast to use and always in demand. Very popular, because usually is the less expensive tent. Fast, flexible, cost effective and long lasting.

They are used by:

• Corporate brands across most industries
• Government & Council buyers
• SME business marketers
• Franchisees
• Agricultural exhibitors
• Emergency services & community groups
• Folding Tents create brand exposure opportunities.
• You can reach your audience at the right time, in the right place with the right message.

Inflatable Tents An exciting and entertaining alternative Tent. Easy & fast to set up. Be sure they have removable printed roof because in that way you can share the investment with other licences.

What Size Tent Will I Need?

The size of Tent depends on a few factors:

1. The number of guests you expect
2. Layout or seating arrangements or the style of event:

* Reception with what type of tables?
* Speaker engagement with what type of seating?
* Will you need a dance floor?
* Will you need display areas for your products?

If you are interested in a Tent, you can expect to need about 2,000 – 2,500 square feet for 200-seated guests. That could mean a 40 x 60 size Tent (Always ask the Tent rental vendor directly and they’ll give you the best dataabout the size of Tent you’ll need).

Therefore, the key rule is; know what you are going to use your tent for. The choice of tents is astounding, almost on par with the choice of cars that you can buy.

So if you need a tent for the family BBQ, for example, your needs are fairly rudimentry
and your budget may be tight. Look for cheap tents that offers a waterproof Polyester roof and a decent warranty for under $600.

If you need a tent for a school or sports club you will need a diverse range of sizes, and colours. Most plain colour Tents s range between $995- $2900. If you are keen to promote yourself, you can have your names printed for around $150-$300. Printing logos usually cost a little more.

In the last 5 years, portable Tents have become important to businesses for their marketing. The essential need for these buyers is a prominent and exact reproduction of their logo. Sign written or printed Tents can be as boring as a website address or they can be a design masterpiece.

Remember, if it is for commercial purposes, the aim is to build recognition of your company with your printed Tent. Printed corporate Tents range in price from $1500- $4000. Good ones will really catch your eye.

Once you have decided on what sort of buyer you are and how you are going to use your Tents, a good Tents company will offer you a choice of frames, a warranty of between 3-5 years and help with formulating the printing-if you need it.

For more information about tents, contact Extreme Marquees. We have a range of cheap tents, for all sorts of home and business applications.

New Zealand has a stunning array of breathtaking landscapes. Like imposing mountain ranges, majestic coastlines, abundant rainforests, deep fiords, snow capped mountains and steaming volcanoes. These panoramic wonders have all made New Zealand an inspired destination for all kinds of holidays.

Fantastic travel packages and holiday specials are available on quality accommodation in modern city hotels and luxurious wilderness lodges at reduced prices. Among the top holiday cities in New Zealand, Queenstown, Christchurch and Auckland would definitely be there. Travel Online is a distinguished online specialist travel operator and provides wonderful tourist services for New Zealand. Travel Online provides an instant quote and booking service for accommodation in cities right across the country.

Queenstown
The international resort town of Queenstown is situated on the shoreline of Wakatipu Lake. This beautiful region is among the most scenic locations on the globe. Throughout the year adventurous and exciting sports like jet boating, bungy jumping, and white water rafting take place. This town is the epicentre of the entire world’s bungy jumping activities too. With the advent of winter, the town gets transformed to an alpine wonderland with snowboarders and skiers from all corners of the world assembling at the annual Winter Festival.

There is constant demand for Queenstown Accommodation all round the year and Travel Online offers a select group of hotels best suited for New Zealand holidays. 1, 2, 3 or 4 bedroom apartments, with modern facilities, gyms, spas and fantastic views are available at various holiday retreats across the city. Larger apartments with more bedrooms, tennis courts, private jetties and fitness centres are also available at a higher price. Luxury complexes with studio rooms in the vicinity of cafes, bars, and restaurants are also found in Travel Online’ Queenstown Accommodation selection.

Christchurch
When choosing a place to stay in Christchurch look for hotels that give views over the beautiful Victoria Square, across the mesmerizing Avon River or towards the epochal Anglican Cathedral. Situated on New Zealand’s South Island, this cosmopolitan city is always abuzz with colourful festivals, shopping spots, theaters and art galleries. Hotels overlooking Victoria Square provide visitors with an insight in to the city’s English history.

Individuals accommodated in the vicinity of the Christchurch Cathedral will find hotel rooms with a Manhattan-style feel. Tradition and elegance are everywhere in these hotels along with a keen eye on service excellence. Huge bedrooms with full-fledged kitchen facilities are common, along with hi-tech conference facilities, resort-like leisure features like spas, saunas, gyms, and swimming pools. Many of these hotels provided by Travel Online are located in the vicinity of the Technology Park, the International Antarctic Centre, and the airport. Travelers who want to stay away from the hustle and bustle of the cosmopolitan life will find suitable accommodation in the majesticcountryside surrounding the city.

Auckland
Auckland, also known as the City of Sails, is situated in between 2 harbors and has more boats per person than anywhere on the planet. Within minutes a person has the chance of sailing away on yachts to isolated nearby islands, living the sweet life in the casino, surfing at endless beaches or tasting the exotic wines at local vineyards. Hotels come in stylish and comfortable studios, and spacious executive / marina suites. Travel Online caters to the tastes of corporate and business tourists and can beat any price seen on Auckland accommodation advertised. Auckland harbor is majestic, and is seen perfectly from atop Sky City and the surrounding accommodation.

Affordable and comfortable apartments are available for casual tourists, equipped with kitchens, laundries, and balconies to provide a fantastic holidaying experience. Visitors to Auckland love visiting the Antarctic Encounter, which showcases the only penguins present in the sub-Antarctic region. More encounters include cage-bereft shark dives, scuba expeditions and snorkel safaris. New Zealand is waiting.

Travel Online has a wide range of Queenstown accommodation close to all the snow action and cosmopolitan Christchurch accommodation surrounded by all that theatre and art. For holidays in and around the water, Auckland accommodation is as good as anywhere in the world.

Don’t allow an amateur 24 hour carpet cleaner attempt to repair your water damaged carpets. These are the worries you need to be aware of:

Overcharging. An inexperienced water restoration cleaner may load the job up with superfluous extras. E.g. using dehumidification on the flooded carpets is not needed.

Having the correct equipment. They sometimes use equipment from hire places for drying the carpet. This is permissible, but a professional water damage technician will possess all their equipment so they can offer a quicker response and hopefully a better value job.

Proper moisture metre. If they don’t have the correct moisture meter, they will not be able to know if the carpet is dry enough. This increases the potential of mould growth in the future. Mould removal would then be required in the future.

Specialised. There are a lot of “Carpet Cleaners” in this industry who do water damage restoration jobs on the “side.” i.e. they do not complete this sort of work every day. Be aware of this. Fixing carpets is an art. Taking carpet off the gripper strips then reinstalling them is best to be taken on by a professional, otherwise carpets can be damaged beyond repair.

You could be pondering, how do I find a good Flood Restoration techinician? Below I have set out some pointers to look out for when you call around for a carpet flood damage business:

How large is their Yellow Pages advertisement: This can signify how much repair work they have already. A full-size Yellow Pages advertisement can cost more than $50 000. If they have paid for a larger ad, you get some assurance that they are professionals.

Where do they come up in Google? The higher they rate in Google, the more webpage clicks there have been for their business.

What Qualifications do they have? The minimum qualification they need is a IICRC qualification for Applied Structural Drying and Water Damage Restoration.

Do Insurance companies hire them for carpet damage jobs? This is a top indicator. If insurance companies use them, the business is bound to be excellent at their job. Insurance companies often use the businesses that offer them the best value for their client’s money.

What kind of Equipment do they have? They should own at least 100 Air movers. If they own this many, this probably means they have been in the game for a good while. It took our business 8 years to accumulate that many wet carpet drying air movers.

What kind of commitment can you get for them on a phone call? Try to pin them down to a set rate for water extraction, water removal and initial inspection. If they wouldn’t give you a fee for this in the least, you know they are not willing to assist you, so move on.

Response Time – Our Water Damage Brisbane business is committed to a 59 minute response time for a water damage emergency. The restoration needs to be done ASAP. Mould can grow in a 24 hour period.

If you go by these tips you are sure to choose a Flood Damage Restoration professional who knows what they are doing.

If you have carpet water damage Brisbane, call us for flooded wet carpet drying. Brisbane storm season is approaching and you may need storm damage carpet cleaning. Brisbane and surrounding areas serviced.

As a practicing podiatrist in Brisbane, Australia, I am frequently asked by parents if podiatry would be a good career for a school leaver to consider . There are many things to recommend a career in podiatry including:

• You can be self employed: This is a option that is increasingly being denied to other health care providers such as optometrists and even General Practitioners . Big Business controls a lot of health practices. Consider how often you see an independent optometrist these days – can they compete on price with the multinational chains?
• Legal Issues: In Australia (unlike the USA where things are very different), podiatrists very, very rarely get sued . The nature of podiatry practice does not lend itself to accidentally harming one’s patients. Also, you never have to give your clients the bad news that their condition will be terminal.
• Working Hours: Emergency call outs are very unlikely. This is good news for those among us who like their sleep uninterrupted.
• Financial Reward: Whilst it is true that podiatry doesn’t pay as well as being a dentist or medical practitioner, the pay is generally commensurate with other allied health providers.
• Instant Gratification: One of the most fulfilling facets of a career as a podiatrist is the instant gratification! People come in with pain and leave happy. You will experience a plethora of bite-sized jobs each day, many with a cure you can provide immediately. From someone that has worked with unanimously grumpy customers in a past career, believe me when I tell you, it makes the day much more pleasant when people leave you smiling.
• Philanthropy: Podiatry will give you a lot of opportunity to help resolve the suffering of your fellow human beings.
• Self – Determination: Podiatry affords a practitioner the power to determine their own course of action for the benefit of their patients. This is unlike a career in nursing for example where one works under the direction of a doctor.
• Clear Job roles: The only people who can hold themselves out to be a podiatrist are those with a podiatry degree . The clear roles that this defines relieves the need to find your ‘niche’ after university – as someone with a more generic Bachelor of Science degree might need to do.
• Do you like to travel? There are many places in the world that do not train their own podiatrists including Tasmania, the Northern Territory, all of Asia and all of the Middle East. If you want to see the world, Australian podiatrists can gain employment in any Commonwealth country and are particularly in demand in Singapore, Egypt, United Arab Emirates and other far flung fields.
• Variety: In any given day, a podiatrist will see a huge range of complaints. There may be an ingrown toenail or two, a debilitating corn, a sports injury, some sacroiliac pain and at least a couple of painful heels . The essence of being a good podiatrist is to be an effective problem solver. Each patient is an individual with a unique complaint requiring a well considered solution.

How do you qualify as a podiatrist ?

To qualify as a podiatrist means six Australian Universities:

• Curtin University
• La Trobe University
• Charles Sturt University
• Queensland University of Technology
• University of South Australia
• University of Western Sydney.

Last year, the entry score for the QUT was OP 8.

Stephanie Cosgrove graduated as a podiatrist from QUT in 1990 and with a Master’s degree in Applied Science (Podiatry) in 1996. Since 1991, she has worked in private practice as a Podiatrist Brisbane. She received three university prizes during her studies, including the award for excellence in design and manufacture of orthotics. Brisbane has been the site of her private practice since 1991 which has grown to four locations and eleven staff. If you want to Walk Without Pain consider a visit to Brisbane’s most innovative podiatry practice today. Call for an appointment now on 1300 A1 Feet.

Take control of getting your site produced by a developer and comprehend the process it will save you money and get you a site that actually works the intended purpose!

1. Knowing your business and how you are currently positioned in your market.
In order to formulate a site that truly meets your requirements; you first need to have a full comprehension of your business including your products, and/or services and more importantly their market position. You then have to acknowledge how you want to explain your business and what it offers in 7 seconds or less. Sounds impossible? Well that is the average time that a user will consider the point “is this site I searched for?”.

2. Budget and estimation
Have a budget in mind and don’t be afraid to let the developers know what it is. In saying this: BE REALISTIC, $500 will never see a great web site created, nor will they be anything left in the bank to market it.

3. The creative process
Be furnished with example sites and more importantly the elements of the site you like so they can get an understanding of what you would like to see on your site and also what you find frustrating about other sites. This will build a good profile and analyze not only what type of site to construct for you but your tolerance to colours, animations, layouts etc. for your requirements which will allow for fast development. The more interaction and information you allow them in the beginning the more time you will save everybody in the long run by getting what you want 1st time round. Check with the designers on how many rounds of changes come with the contract, most will allow for a total conceptual redesign only once and 2 rounds of changes after that.

4. Production and Content
After the home page design is created, the developers will more than likely take the general layout of this concept and then formulate the inner page template. It is this template that will be duplicated for most of your pages for your site.
Present your content in a pre-proofed word processed document; don’t become too creative with the document fonts etc. as these will not be kept when the content is copied into the code of the site. It is suggested that you do use bolding, underlining, headings and sub heading though ,as these highlights are transferred into the site and are crucial later on in not only interacting with the reader but for Search Engine Optimisation.
One last tip for content; formulate a decent amount of content but provide it in a way that a reader may get a summary of what you are trying to infer across in the 1st couple of paragraphs and an image or to. The rest of the paragraphs that get into finer details ARE FOR GOOGLE !

5. Development Programming and CMS
If your website contains Content Managed Areas (CMS) or has any other dynamic sections the developers will wrap your design around a content management program such as Joomla or Drupal or they may have a custom built system. Make sure that you get to see how the CMS system operate on another site they have developed or an example site they may have. You need to know that you can use and understand the system when your site is complete.

6. Testing and training
We work closely with the developers to test your site especially if there are any CMS or special programs that have been created for you. You can guarantee if it is has just been written for you then it will not operate 100% first time round. This is a where things can get ugly in the process you must understand the way the program works and test it as if you were normal website user. If it doesn’t make sense to you, odds are it won’t make sense to your audience. Make sure you test your website on more than just your browser, try to test it on Internet Explorer, Firefox and Safari. All of these browsers are available to download on the internet for free!

7. Launch – going live
When the developers are ready to make your site onlive make sure you have finished the above testing step until you are content that this website is the best representation of your business / product it can be. Remember even though you can change things after going live it is still a poor reflection on your business if there are spelling mistakes or broken images when you launch.

8. Marketing
There is little point in having a website if nobody visits it, make sure as part of you contract you have considered search engine optimisation and or search engine marketing as part of your website build. This is the absolute most important factor of the whole process. If you are the only one looking at your site then you are in trouble.

Remember Search Engine Optimisation is about 30% Onsite (getting your site correct for Search Engine to index correctly) and 70% Promotion. Any developer who tells you otherwise hasn’t been in the industry too long.

For more information about web design Brisbane, contact Web Site Blue. Our web designers understand marketing as well as design.

A logo is a essential step to building a business. It is the face of your business. And like your face conveys the tone of your business, gestures the service and displays the professionalism or lack there of.

People spend a lot of money on the creation of their logo and walk away with no artwork files. Then a couple months down the track when they need to put signage on their new building they cannot track the design studio down that formulated the original logo for them and so incur costs to have it redone. This is needless and may cause difficulties when trying to replecate the logo exactly as done originally.

We have created some basic tips you for to think about when creating a logo. Hopefully these will help you from experiencing any future obstacles.

Tip 1
First things first – you need to decide if you would like your logo to have an accompanying icon. It is hinted that if your service or product name is not in your business name then perhaps an icon will assist in portraying a clear message across to your target audience.

An icon can add an extra element to your branding in that you could use the icon on its own on collateral where perhaps you are sighting for a more illustrative finish without losing recognition.

A excellent example of this is the well-known and executed Fedex logo.

Tip 2
Colour can be an essential decision as it not only could affect the output costs but can also limit your output use. Consider the end result and what you will be commiting your branding onto in the future. Make sure your designer is aware of this as they should design accordingly.

Tip 3
Make sure you get a back up disk of your logo as a master file and confirm that it includes all the files required for the different printing formats.

Creative software updates frequently and some programmes become obsolete. Make certain you have a copy of your logo as a PDF – with the text converted to curves.

Tip 4
Using images in your logo is not very easy to arrange. For example it is hard to to reverse into black and white. Images also have limitations when it comes to size – they can only be reproduced to a certain size before they start pixilation.

Tip 5
Using gradients in your logo is not recommended. This too can have limitations when it comes to output for ie: gradients are hard to reproduce when embroidering fabrics.

Tip 6
Make certain sure the font is legible. Some logos need to be reproduced on small pieces of collateral ie: post stamps. It is important that in this case the text is
legible.

Tip 7
Insure that you acquire a copy of your logo in CMYK high resolution 300 dpi (for printing use) and RGB 72 dpi(for web use).

Tip 8
It is important to have a style guide of your logo. It will clearly show you how to use your logo so it looks exactly the same every time it is reproduced. This allows you to keep your corporate image consistent.

Tip 9
Make sure that you get a letter from the design studio declaring that you own the copyright to your logo.

If you follow these tips then not only will you get a well-designed logo but you will also own the artwork. And when it comes to reproducing your collateral you will be doing it the most cost effective way.

For logo design Brisbane and web design Brisbane, contact Bydaughters today for a free two hour consultation.

How many times have you sent business cards to print and collected yet another version of your corporate colour? Ever been enthusiastic to see your advert in the latest newspaper and then spotted that the crucial tag line is not present or your logo has been squashed.

There is only one way to prevent this from happening and that is to set up a style guide. Not only will a style guide assist you steer the reproduction of your logo – it will also help you bolster your brand recognition – which many argue is one of the strongest selling tools.

We have placed the below steps together for you as a starting point.

Step 1 : Mark the audience for your Style Guide. Is this for staff to put to work in-house or is this for suppliers and contractors to refer to?

Step 2 : Define what your output uses are. This is important because you will need different logos and file formats for example, black and white publication adverts in comparison to vehicle graphics.

Step 3 : Define the tone for the copy and content required. For example you may wantcopy rules for printed content and then copy rules for website content.

Content rules cover all punctuation rules and how to refer to the business and team.

Step 4 : Make sure you layout all the design templates so it is clear how and where the logo and branding sits on all the different pieces of collateral that may be reproduced.

Step 5 : Confirm to insert any contributing logos or logos of business that are correlated with you. It’s also important that you mail a copy of the layout to these companies to guarantee they approve the layout of their logo as they too may have their own Style Guide and hierarchy layout rules.

Step 6 : Insure that grammar, spelling and contact details are correct.

Step 7 : Assure that when suppliers are using the Style Guide they understand~know~discern~apprehend} that a proof needs to be dispatched~sent~mailed~commissioned}to you to be approved as correct.

Get your Style Guide completed and as tight as possible. Then have it saved in an email friendly file format and have a couple printed. Once this is done we strongly advise a training session – whereby your design studio arrives and trains your staff on how to work the Style Guide and most importantly your brand.

For graphic design Brisbane, logo design Brisbane and web design Brisbane, contact Bydaughters today. We help your brand build business.

The most common question that is asked when looking for a new projector for the home, office, or classroom is: will I take an LCD projector or a DLP projector? LCD, which stands for ‘liquid crystal device’ and DLP, an acronym for ‘digital light processing’ are the two most popular projector imaging technologies. With so many different brands and models available, it can be difficult for consumers to make a decision between these technologies. Ultimately LCD projectors have superior image quality and colour accuracy. The next paragraph will tell you why DLP projectors struggle with creating an equal grade of image quality.

Visualise a set of blinds in your home over your bedroom window. By pulling a rod you can make the shutters open or closed, depending on whether you want to let light in or not. Such is exactly how an LCD projector functions. Each pixel operates like a unique shutter on a set of blinds to either pass light through or to block it. DLP on the other hand is made up of millions of microscopic mirrors or ‘pixel elements’ as the experts like to call them. Each pixel element operates to either reflect light or block it.

How the light source is processed from the time the projector switches on to when the content reaches your screen is extremely important with regard to image quality, brightness and colour accuracy. LCD projectors process white light from the lamp by cutting it into red, blue and green components, by three mirrors which direct the coloured light to 3 different LCD panels. The 3 LCD panels make the elements of the image by turning each pixel on and off. The pixels are then simultaneously processed in a glass prism to deliver the projector image. A point to understad about LCD projectors is that all three colours are sent onto your screen at once. The way a DLP projector operates is very different and even how an image comes out is not the same. With DLP, white light from the lamp is directed through a rotating colour wheel with transparent red, blue and green segments, at speeds up to 11,000 rpm/s. This way of projecting an image casts a sequence of red, blue and green light. The millions of micro mirrors mentioned above reflect the coloured light on the pixels to construct the image elements. The elements of the image are sent in sequence on the screen, one colour at a time. The viewer’s vision will then pull together each coloured element of the image into the complete image. With LCD projectors, all colours are available all the time to form the top level of brightness and superb colour accuracy. In DLP, only one colour is available at once, and so causing lower colour brightness and accuracy. Some developers have placed a white segment for the colour wheel to improve brightness generally, but this then damages colour accuracy.

I find in forums all the time that DLP has a higher contrast ratio and thus must be superior. For those who do not know, the contrast ratio is a measure of a display system defined as the ratio of the luminance of the brightest white to that of the darkest black that the projector is capable of producing. DLP projectors do possess high contrast specifications in comparison to most LCD projectors. Initially, this appears to be a plus, however, in reality, the true black level is determined by the ambient light in the room in which the projector is in use. Do not be hoodwinked by contrast specifications on websites and in brochures.

When the content you want to project has moving images, DLP projection technology also has image marks, or ‘artifacts’. The most often seen artifact that a DLP projector creates with moving images is colour break up. Colour break up is unavoidable in DLP systems because moving images change up between the time red, blue and green colours are projected. LCD projectors do not have this characteristic because the colours are delivered at once. DLP manufacturers have created 3DLP solutions using 3 chips to fix the colour break up problem, but the price tag of these projectors make them almost impossible for the large part of businesses and consumers.

Another difference between LCD and DLP is how they balance for the refractive qualities of light. Jump back to high school science, and remember when they taught you how various colours of light refract differing amounts when directed through the same lens. The problem with DLP projectors is that they use the one same panel with the same lens to project Red, Blue and Green. All 3 colours are not the same and refract light in different ways. Generally with a DLP projector, a spill of yellow colour will come up above and a spill of blue will appear below an image of something as simple as a single black line. During manufacturing LCD projectors can be adapted to take away these effects on the projected image, as each colour is directed on its own LCD panels.

The isolated actual buy point (excluding price) with choosing a DLP projector is its smaller overall size and weight. However, this is only relevant for transport and needs to be traded off against the image advantages of LCD projectors. If overall picture quality is vital to you, then the solution is easy. Take an LCD projector! LCD projectors will definitely show bright, colourful images with fewer image mistakes. If you want to ask more about LCD technology in more detail, see this fabulous resource website: Explore 3LCD. If you have any more questions, get onto Projector Central and send me an email.

Jonathan King is the sales and marketing manager of Projector Central, Australia’s top online store for projectors. Brisbane based, Projector Central has been serving Australia for 15 years. For data projectors in the Gold Coast and Interactive Whiteboards, contact Projector Central today.

As the Dutch rose to preeminence in sea power during the 17th century, the first yacht was a pleasure craft used initially by royalty and secondly by the burghers on the canals and then in the protected and unprotected waters of the Low Countries. Yacht racing was incidental, coming out of private matches. English yachting originated with King Charles II of England during his exile in the Low Countries. On his restoration to the English royalty in 1660, the city of Amsterdam presented him with a 20-metre (66-foot) pleasure boat with a beam (maximum width) of 5.6 m (18 feet), which he called Mary. Charles and his brother James, the duke of York (James II, ruled 1685–88), built more yachts and in 1662 raced two of them from the Thames, from Greenwich, to Gravesend, and back, on a £100 bet. Yachting rose as classy for the rich and aristocracy, but after that period the trend did not last.

The first yacht club in the British Isles, the Water Club, was started around about 1720 at Cork, Ire., as a cruising and unofficial coast guard association, with great naval panoply and gravity. The closest thing to racing was the “chase,” in which the “fleet” pursued an imaginary enemy. The club persisted, largely as a social club, until 1765, and in 1828, by conglomerating with other clubs, it became known as the Cork Yacht Club (later the Royal Cork Yacht Club).

Yacht racing was first seen in some stipulated fashion on the Thames about the mid-18th century. The duke of Cumberland instigated the Cumberland Fleet for Thames racing in 1775. When George IV rose to monarchy in 1820, it was then named the Fleet to His Majesty’s Coronation Sailing Society. The Thames Yacht Club seceded following a racing argument, to become the Royal Thames Yacht Club in 1830. The first English yacht society had been formed at Cowes on the Isle of Wight in 1815, and royal funding made the Solent – the strait between the mainland and the Isle of Wight – the continued setting of British yacht racing. The association at Cowes became the Royal Yachting Club, again at the rise of George IV. All members were required to have boats of at least 20 tons (20,321 kg). Sailing tests for high bets were held, and the club life was superlative. Ultimately Royal Yachting Club boats grew in size to over 350 tons.

In North America, yachting began with the Dutch in New York in the 17th century and went on when the English gained power. Sailing was largely for pleasure and rose to its high point in George Crowinshield’s Cleopatra’s Barge (1815), which cruised on the Mediterranean Sea and set a standard of luxury and sophistication for the later yachts in that area from the late 19th century. The first enduring American yacht club, the Detroit Boat Club, was instigated in 1839. In 1844, John C. Stevens began the New York Yacht Club while on board his schooner Gimcrack.

Kinds of sailboats
The first sailing yachts took the design of such naval craft as brigantines, schooners, and cutters from the 17th century through to the latter half of the 19th century. The craft of large yachts was initially largely put upon by the success of America, which was designed by George Steers for a syndicate led by John C. Stevens, and it was the boat for which the America’s Cup (q.v.) was named after its win at Cowes in 1851. Early yachts were not designed and manufactured in a contemporary sense, with just a model being used. Not until the second half of the 19th century did what was labeled naval architecture come into action. Not until the 1920s did the use of the science of aerodynamics do for the design of sails and rigging what such science had earlier done for hulls.

Because most of all sailboats were individually custom-built, there came a desire for handicapping boats as this was previous to the one-design class boats were made. Thus, a rating rule was created, which is found in the International Rule, accepted in 1906 and amended in 1919. In the present day, one of the rapidly flourishing areas in sailing is that of one-design class boats. All boats in a one-design class are built to single dimensions in length, beam, sail area, and other aspects (for an example of a two-person sailboat, see illustration). Racing such boats can be done on an even playing field with no handicapping required. A perfect example is the uniform International America’s Cup Class taken on board for participants in the 1992 America’s Cup race.

So long as yachting belonged largely for the aristocracy and the rich, money was no object, and the size of boats developed, in both length and weight. The promotion and desire of smaller yachts occurred in the latter half of the 19th century from the sailing of the Englishmen R.T. McMullen, a stockbroker, and E.F. Knight, a barrister and journalist. A journey around the world (1895–98) led single-handedly by the naturalized American captain Joshua Slocum in the 11.3-metre Spray made plain the seaworthiness of less sizeable yachts. Later in the 20th century, notably after World War II, smaller racing and pleasure craft became more common, down to the dinghy, a preferred training boat, of 3.7 m. In the late 20th century, yachts of less than 3 m were setting sail single-handedly across the Atlantic Ocean.

Kinds of power yachts
Post the decade 1840–50, when steam was set to take the place of sail power in commercial craft, the steam engine, and later the internal-combustion engine, were increasingly favoured in leisure boats. Sizeable power yachts were developed to a high degree, and long-distance sailing was a favoured occupation of the well off. The early power yachts were paddle-wheel boats; those then made way to boats powered by the fully submerged screw or propeller kind of propulsion. Like naval and merchant vessels, auxiliaries possessing both sail and power were the yacht standard for many years. By the later half of the 20th century, a lot of yachts were still auxiliaries, but the majority were solely power yachts that had gasoline or diesel engines.

In the last decade of the 19th century there was a push in the construction of bigger steam yachts. Conspicuous of these was the Mayflower (1897) of 2,690 tons, containing triple-expansion engines, twin screws, and a compartmented iron hull, and was sailed by a crew of over 150. The Mayflower, purchased by the United States Navy in 1898, was the official yacht of the president of the United States until 1929 and gave active service in World War II.

As larger and more dependable internal-combustion engines were produced, many big yachts began using them for power. The development of the diesel engine, employing heavy oil for fuel, progressed in World War I. In the decade that followed, bigger power-yacht manufacture blossomed, hitting a climax in the Orion (1930) at 3,097 tons. From that point the largest auxiliary yacht built was the four-masted, steel, barque-rigged Sea Cloud (1931) of 2,323 tons.

The manufacture of large power boats lessened from 1932, and the fashion after that was in preference of smaller, less pricey boats. After World War II, a lot of small naval craft were traded by private owners for conversion to yachts. By the late 20th century, yachting has become a globally popular sport enjoyed by thousands of yachtsmen who are actually sailing and upkeeping their own small recreational craft. The amount of boats and owners has increased steadily, not only in the traditional places by the beach but also on inland waterways and lakes.

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